Denki-gai no Honya-san

STORY

Denki-gai follows the lives of the crew working at Umanohone, a local manga store. Umio, Sensei, Kantoku, Hio, Fu Girl, and Kameko deal with everyday life while attempting to juggle work and relationships.

This anime is first and foremost a comedy. The situations involved are often silly in nature, with the characters usually taking part in gag-like humor. Sticking to its “seinen” roots, the jokes are usually sexual or more adult-oriented. Despite where it all takes place, the comedic moments require the viewer to be a bit older to understand let alone appreciate the funny events for what they are.

But already two problems arise, one small and one big. Starting with the smaller, the anime attempts to incorporate romantic developments between the characters. That is, instead of focusing solely on the humor, it shifts its attention at times to romance. Not only are these elements unsatisfactory and largely unexplored, but their inclusion deters from the comedy that is at the show’s core. Moving to tackle this issue, the anime tries to then use the romance as a stepping stone for the comedy. But it doesn’t work because the feelings and emotions between the characters feel weak and unwarranted. In other words, it tries and fails to be a romantic-comedy.

The bigger of the two problems is located within the comedy itself: repetition. What’s strange is that Denki-gai actually contains some rather unique jokes or funny dialogue during certain moments. But in-between these exist the same exact set-ups time and again.

Examples include Sensei’s “girl power,” Fu Girl’s zombie hatred, and Umio’s obsession with Tsumori. Repetition isn’t necessarily a bad thing; characters can have hilarious shticks that can see quite the degree of variation. Denki-gai, sadly, doesn’t do this. A clever joke involving Sommelier’s talent in the past or an “inspiring” speech by Kantoku is drowned out by the use of the previously mentioned, already-used jokes. In conjunction with the poorly executed romantic elements, much of the comedy that the show aims at presenting is ultimately lost.

Beyond the comedy, romance, and repetition, Denki-gai gives us at least one life lesson. Whether you are having fun with your friends, staying up late to finish some work, or pining after the one you love, at the end of the day, life is what you make of it. The events you experience are shaped by you and those around you, and they become everlasting memories. Even when tomorrow becomes “work per usual,” as long as you had fun in the moment, its impression will last a lifetime.

ANIMATION

Denki-gai offers a mixed bag when it comes to the art and the animation.

The art style feels both unique and generic at the same time. The locations are often typical (work place, someone’s home, in the city), but it all feels devoid of detail. The character designs, on the other hand, hold a different vibe. Fu Girl’s sharp upper teeth, Kameko’s afro, and Hio’s sparkling eyes are simple examples that show off how different they tend to be when compared to other shows. Also of note are their general body heights. They all (minus Sommelier) appear quite short, but they are in fact older than at first perceived.

The animation within Denki-gai errs on the side of caution. It contains some rather well done moments with a good amount of character action, typically thanks to them exploding the situations. However, during its downtime, there isn’t as much extravagance to be had.

CHARACTERS

The characters of Denki-gai play their parts, generating an overall nice cast.

There really isn’t a main character within the anime. If anyone gets the title, it falls on Umio. As “otaku” as they come, his initial reason for working is to be close to the subject he loves most. Helpful towards his friends and understanding of the situations they find themselves in, he more often than not experiences more trouble than the majority of the cast. He’s your typical, everyday enthusiast, “one of us,” if you will.

Having a strange nickname, Sensei is an aspiring “mangaka” to be. Her low girl-power, low self-esteem, and low tolerance for difficulties may make her out to be a rather annoying person to deal with. But behind these layers of low lie a much more refined young woman. She constantly seeks to better herself, be it with her drawings or in the art of love. At the same time, she is no stranger to accepting aid, giving the audience the opportunity to contemplate such actions. That is to say, everyone can always use a little help.

Hio is known for her general clumsiness and large bust. While quiet, she is prone to outbursts, especially when dealing with Kantoku. Among the whole cast, she is often the most at odds with the feelings she maintains. It’s difficult for her to properly express herself because she cannot seem to comprehend the idea of the person she loves feeling the same way towards her. Complex emotions are generally hard to articulate, and she serves as a nice example.

As a gentle giant, Sommelier is the watchful guardian. Silent at all times, with eyes almost never noticeable, he seemingly has a sixth sense when it comes to people’s tastes. Even from a young age, his heart has always been in the right place. For him, his motto is “actions speak louder than words.”

Fu Girl has a strange name and an even stranger personality. Reserved in all things but the zombie apocalypse, she’s a kind young girl looking to have the one person she holds most dear look at (and consequently, down!) at her. Part of what makes her special is how out of place she seems, even among everyone working at Umanohone. Her actions are usually either non-existent or extreme in nature, lending credit to the argument that everybody is different.

Last, and indeed perhaps least, is Kameko. Placed on the sidelines for nearly the entire season, she is quite dishonest with herself. She prefers peering at the world through a camera lens as opposed to with her own eyes, giving her the chance to capture those all-important memories. In a way, she acts as the audience member; never contributing much to the on-screen antics, and merely along for the ride.

SOUND

The best part of the OP comes in the beginning. It has a more whimsical feel about it, giving it a “Christmas-y” vibe. The little bell chimes add to this effect, while the rest of the composition is mostly uninspired.

The ED is quick, and fits more in line with what the anime offers. The vocalists take turns singing, creating a fun little arrangement that, combined with the nice drum beat, makes it a catchy tune. Plus, the “pa-pa-pa” parts at the beginning and end are just as silly as the rest of the song.

The soundtrack contains mostly float-y and nonchalant pieces that fit the mood of the scenes at hand. None of them are particularly standout, however.

Voice-acting-wise, there are no notable performances to be had. Special shout-out to Takahiro Tomita for his role as Sommelier, where he has nearly zero actual lines!

ENJOYMENT

As a comedy, the show is largely hit or miss. The repetitive jokes never made me laugh, but the cleverer, unique ones were certainly able to at least get a chuckle. Again, the issue is that the more witty jokes can only be found by trudging through what the rest of the anime has to offer. It’s never going to make you laugh consistently the whole way through. And while comedies don’t have to accomplish such a feat, the amount of laughter that this one got out of me was just too minimal.

The romance, while out of place, at least helps it slightly. Tons of blushing and attempts at getting him or her to notice were fun to see. However, since the anime isn’t particularly interested in developing the romances in the first place, it unfortunately leaves many areas largely open-ended, with no clear future for any of them in sight.

As a comedy anime, this one is less than stellar. While the characters represent more than their outward appearances may show, the story and animation elements just don’t reach the same level. The workplace can be quite the hilarious topic, but Denk-gai no Honya-san couldn’t capture this feeling.

SUMMARY

Story: Bad, “adult” comedy lost among misplaced romance and misused repetition

Animation: Fine, art style, character designs, and animation are each average

Characters: Good, Umio, Sensei, and the rest personify more than just their quirks

Sound: Fine, bad OP, okay ED, okay soundtrack, average VA work

Enjoyment: Bad, laughs are few and far between with unsatisfying romances

Final Score: 4/10

the adjust, but little is found beyond the panels.STORYDenki-gai follows the lives of the crowd working at Umanohone, a local manga shop. Umio, Sensei, Kantoku, Hio, Fu Girl, and Kameko deal with everyday life while attempting to juggle function and relationships.This zanzibar copal is first and foremost a drollery. The situations involved are much punch-drunk in nature, with the characters normally taking share in gag-like humor. Sticking to its “ seinen ” roots, the jokes are normally sexual or more adult-oriented. Despite where it all takes station, the comedic moments require the viewer to be a bit older to understand let alone appreciate the amusing events for what they are.But already two problems arise, one small and one big. Starting with the smaller, the anime attempts to incorporate romanticist developments between the characters. That is, alternatively of focusing entirely on the humor, it shifts its attention at times to romance. not lone are these elements unsatisfactory and largely undiscovered, but their inclusion deters from the comedy that is at the picture ‘s core. Moving to tackle this issue, the anime tries to then use the romanticism as a stepping stone for the comedy. But it does n’t work because the feelings and emotions between the characters feel weak and undue. In early words, it tries and fails to be a romantic-comedy.The bigger of the two problems is located within the comedy itself : repetition. What ‘s strange is that Denki-gai actually contains some quite singular jokes or funny story dialogue during certain moments. But in-between these exist the same demand set-ups time and again.Examples include Sensei ‘s “ girl exponent, ” Fu Girl ‘s zombi hatred, and Umio ‘s compulsion with Tsumori. Repetition is n’t necessarily a bad thing ; characters can have hilarious shticks that can see quite the degree of variation. Denki-gai, sadly, does n’t do this. A cagey joke involving Sommelier ‘s endowment in the by or an “ inspire ” speech by Kantoku is drowned out by the use of the previously mentioned, already-used jokes. In conjunction with the ailing executed amatory elements, much of the comedy that the express aims at presenting is ultimately lost.Beyond the drollery, romance, and repeat, Denki-gai gives us at least one life lesson. Whether you are having playfulness with your friends, staying up late to finish some make, or pining after the one you love, at the end of the day, life is what you make of it. The events you experience are shaped by you and those around you, and they become everlasting memories. even when tomorrow becomes “ work per usual, ” ampere long as you had fun in the moment, its impression will final a lifetime.ANIMATIONDenki-gai offers a desegregate base when it comes to the art and the animation.The art style feels both singular and generic at the same time. The locations are frequently distinctive ( work place, person ‘s home, in the city ), but it all feels barren of detail. The character designs, on the other hand, hold a different vibration. Fu Girl ‘s sharply amphetamine tooth, Kameko ‘s afro, and Hio ‘s foam eyes are simpleton examples that show off how different they tend to be when compared to other shows. besides of note are their general torso heights. They all ( minus Sommelier ) appear quite short, but they are in fact older than at first perceived.The liveliness within Denki-gai err on the side of caution. It contains some rather well done moments with a good total of fictional character carry through, typically thanks to them exploding the situations. however, during its downtime, there is n’t american samoa much extravagance to be had.CHARACTERSThe characters of Denki-gai play their parts, generating an overall nice cast.There actually is n’t a chief character within the zanzibar copal. If anyone gets the style, it falls on Umio. As “ otaku ” as they come, his initial reason for working is to be close to the subject he loves most. helpful towards his friends and sympathize of the situations they find themselves in, he more frequently than not experiences more trouble than the majority of the cast. He ‘s your typical, casual fancier, “ one of us, ” if you will.Having a strange dub, Sensei is an aspiring “ mangaka ” to be. Her low girl-power, broken self-esteem, and first gear allowance for difficulties may make her out to be a preferably annoying person to deal with. But behind these layers of low lie a much more neat unseasoned woman. She constantly seeks to better herself, be it with her drawings or in the artwork of love. At the like clock time, she is no stranger to accepting care, giving the audience the opportunity to contemplate such actions. That is to say, everyone can constantly use a fiddling help.Hio is known for her general awkwardness and large bust. While hushed, she is prone to outbursts, particularly when dealing with Kantoku. Among the whole project, she is often the most at odds with the feelings she maintains. It ‘s unmanageable for her to properly express herself because she can not seem to comprehend the mind of the person she loves feeling the like way towards her. complex emotions are by and large hard to articulate, and she serves as a nice example.As a easy giant star, Sommelier is the insomniac defender. mum at all times, with eyes about never detectable, he apparently has a sixth smell when it comes to people ‘s tastes. evening from a young age, his heart has always been in the right place. For him, his motto is “ actions speak louder than words. “ Fu Girl has a strange mention and an even stranger personality. Reserved in all things but the zombi apocalypse, she ‘s a kind young girl looking to have the one person she holds most beloved look at ( and consequently, down ! ) at her. function of what makes her especial is how out of stead she seems, even among everyone working at Umanohone. Her actions are normally either non-existent or extreme in nature, lending credit to the argument that everybody is different.Last, and indeed possibly least, is Kameko. Placed on the sidelines for closely the entire season, she is quite corruptible with herself. She prefers peering at the global through a camera lens as opposed to with her own eyes, giving her the prospect to capture those all-important memories. In a way, she acts as the hearing extremity ; never contributing much to the on-screen antics, and merely along for the ride.SOUNDThe best part of the OP comes in the begin. It has a more capricious feel about it, giving it a “ Christmas-y ” vibration. The little bell chimes add to this effect, while the respite of the composition is by and large uninspired.The ED is flying, and fits more in line with what the zanzibar copal offers. The vocalists take turns singing, creating a fun little placement that, combined with the nice cram beat, makes it a catchy tune. Plus, the “ pa-pa-pa ” parts at the beginning and end are barely arsenic cockamamie as the rest of the song.The soundtrack contains by and large float-y and casual pieces that fit the climate of the scenes at hand. none of them are peculiarly standout, however.Voice-acting-wise, there are no luminary performances to be had. special shout-out to Takahiro Tomita for his role as Sommelier, where he has closely zero actual lines ! ENJOYMENTAs a drollery, the testify is largely stumble or miss. The insistent jokes never made me laugh, but the clever, unique ones were surely able to at least get a chuckle. Again, the return is that the more witty jokes can only be found by trudging through what the rest of the zanzibar copal has to offer. It ‘s never going to make you joke systematically the hale way through. And while comedies do n’t have to accomplish such a feat, the measure of laugh that this one got out of me was precisely besides minimal.The love affair, while out of place, at least helps it slenderly. Tons of blush and attempts at getting him or her to notice were playfulness to see. however, since the zanzibar copal is n’t particularly concerned in developing the romances in the first place, it unfortunately leaves many areas largely open-ended, with no clear future for any of them in sight.As a comedy zanzibar copal, this one is less than leading. While the characters represent more than their outbound appearances may show, the report and animation elements just do n’t reach the same level. The workplace can be quite the hilarious topic, but Denk-gai no Honya-san could n’t capture this feeling.SUMMARYStory : Bad, “ adult ” comedy lost among misplace chat up and misused repetitionAnimation : Fine, artwork style, quality designs, and animation are each averageCharacters : Good, Umio, Sensei, and the rest personify more than just their quirksSound : Fine, bad OP, approve ED, all right soundtrack, average VA workEnjoyment : Bad, laughs are few and far between with disappointing romancesFinal score : 4/10

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Category : Sex

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